THE EXHIBITION
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THE EXHIBITION •
‘Montauk’
Thomas Tobin is a 19 year old poet from the New York metropolitan area. In the last year, he has become heavily involved in the Columbus poetry scene.
Montauk
The sky bled pink
Upon the dark blue blanket
That made it’s way as far
As my eyes could gaze.
The high hill’s side
Stretched to the red eye
In the sky, the sandy land
Hand in hand with the cosmos around it.
That’s when I realized the eyes
Were not really bleeding,
They were weeping at the evening
They formed, yet would always long for.
The sun could see the beach,
The shadows that reached deep into the sea,
And the love affair between Neptune and her earthly lover,
But the masterpiece that she weaved
The pinks and blues that could swallow the view
Of me and everyone who could gaze at her and the ocean
Would forever be a stranger to her..
She may never see it,
But the world she infused with her magic
Reacted with the salty sea,
To create a piece better than anything by O’Keeffe.
I fell in love with this scene,
I would love to take the blanket with me
But she does not belong to any one being,
But I’ll still love all I have seen.
My only wish would be
To show her the same lovely eve
She bestowed everyone and me.
Thomas Tobin is a 19 year old poet from the New York metropolitan area. In the last year, he has become heavily involved in the Columbus poetry scene.
‘I Am the Undertow’, ‘My Memories Live in Ashtrays’, ‘The Sand That I Am’, ‘Serene Storms’
Alyssa Troy is an English teacher in Bucks County, Pennsylvania. She received her B.A. from Rider University and has an M. Ed. from both Cabrini and Eastern University. Her poems are published or forthcoming in Blue Unicorn, Cool Beans Lit, In Parentheses, 300 Days of Sun, The Road Not Taken as well as other journals and magazines. She is the author of Transfiguration (2020).
I Am the Undertow
The birds sing above me
urging I retreat
as I swim breaststroke
in a river
that cannot project me
forward
In my peripheral vision
I notice her
diving beneath the surface
plunging deep into
temptation
before reasoning
can circle overhead
I do not swallow
more than a mouthful of air
before I find myself
barreling down her trajectory
abandoning my
airborne adversaries
Submerged in the passion
of my pursuits
the song of the warblers
is drowned out by
the sloshing of seduction
relentless in its efforts
to overwhelm my eardrums
My Memories Live in Ashtrays
In the comfort
Of my living room
I light up
Might as well
Inhale these toxins
To rid myself of
Others
With each drag
There is a greater
Demand to
Withdraw
But I must
Poison the grief
That sits
In my lungs
A tray beside me
Holds discarded ends
Of recollection
There they live
Trapped in soot
Covered creases
A reminder of
Memories that
Never finished
Burning
The Sand That I Am
It is sand that
Rains down glass
The beads
Of an hour
Dropping to
Their death
As am I
For I too
Am sand
Measured by
The minute
Often stuck
In unreachable
Crevices
Once I was
Stone
But I was
Broken down
Weathered
For the better
I am still unsure
It is sand that
Serves
As a vessel
For rebirth
Is this
The sand
That I am
Serene Storms
I awake to
summer’s storm
pecking at my window
in the early hours
of morning before
the sun tries to
peek from behind
clouds concealing
its shine. A calm
washes over with
the rain tapping
on roof shingles,
creating a concord
that coincides with
rumblings of the earth.
There is no light aside
from brief illuminations
casting shadows
of shaking trees
on shutters bearing
the wind’s rage.
Calamity prevails
outside, but within
my heartbeat settles.
I am delighted by
this interlude.
Alyssa Troy is an English teacher in Bucks County, Pennsylvania. She received her B.A. from Rider University and has an M. Ed. from both Cabrini and Eastern University. Her poems are published or forthcoming in Blue Unicorn, Cool Beans Lit, In Parentheses, 300 Days of Sun, The Road Not Taken as well as other journals and magazines. She is the author of Transfiguration (2020).
‘On the Gobi’
Erin Jamieson’s writing has been published in over eighty literary magazines, including two Pushcart Prize nominations. Her poetry chapbook, Fairytales, was published by Bottlecap Press and her most recent chapbook, Remnants, came out in 2024. Her debut novel (Sky of Ashes, Land of Dreams) came out November 2023.
On the Gobi
steaming goat’s milk
&, supple buuz dumplings
as sunlight streams through
the ger: there are camels
to be milked, floor to be swept
cattles and horses to be attended
before dusky sunset
when gobi is painted crimson
& we dance in the fading light
Erin Jamieson’s writing has been published in over eighty literary magazines, including two Pushcart Prize nominations. Her poetry chapbook, Fairytales, was published by Bottlecap Press and her most recent chapbook, Remnants, came out in 2024. Her debut novel (Sky of Ashes, Land of Dreams) came out November 2023.
‘Call for Navigation’
Chris Taylor is a young writer of poetry and prose, hoping to connect with others through their own experiences as a queer person and as someone with mental illness. Their free time is filled with family, their dogs, and electronic and alternative music.
call for navigation
I should hire someone to memorize
the streets in my city,
my hometown that i never learned
my way around, I still find strange
sounds that could be gunshots
or could be shouts,
I should figure out which
intersection holds that
ironic embassy, learn the location
of the closest grocery store,
maybe I’ll speak to the manager
get all the labels torn off the food
so I don't have to look at them
maybe I should buy a house
or get a ride, I don't think
walking tired and sleepless for
hours is good for my heart,
it's not good for my bones to
be lost in my head,
someone should tell me what
to do, who to speak to, to buy
myself a life, I thought I was
taught everything I needed
to know but somehow still ended
up back home, now it doesn't
feel right.
here, see this flier just posted, covered
in the most nostalgic, happy
polaroids I could find
in my two pockets, advertising a
position as a navigator.
advertising a position
to hold the taxi door for the
better things that always drag behind
but can never walk through in time.
Chris Taylor is a young writer of poetry and prose, hoping to connect with others through their own experiences as a queer person and as someone with mental illness. Their free time is filled with family, their dogs, and electronic and alternative music.
‘On the Verge’, ‘Heredity’ & ‘Galveston Bay’
Mikayla Silkman is a writer and editor from southwest Connecticut. She predominantly writes speculative fiction and poetry, with the occasional foray into the creative essay. She is also an independent copyeditor. Her work has been featured in Western Connecticut State University's The Echo, Catholicism Coffee, The Hallowzine, and the 2023 CT State Literary Anthology. Mikayla is a devout Roman Catholic, an SVT survivor, and a proponent of literature and the arts. In her free time, she enjoys hiking, playing video games, and cooking. She is currently a student of Western Connecticut State University's MFA in Professional & Creative Writing program. She and her husband, Gordon, currently live in Bethel, Connecticut, and have a rescue dog named Oobi.
On the Verge
I discover myself on the verge of an unusual mistake,
whether or not to lean in to the breeze and simply
be carried away on one wind or another to some place
or another where little girls and their mothers sip
nectar from bright white blossoms and there is beauty
in the simplicity of a spear of summer grass.
And it is this that sits, itching at my ears:
What has become of the young and old men?
What has become of me?
Where do I end?
Where am I going and where have I been?
And perhaps it is I, not this bird who beats inside
my chest, that is a bit too tame. Crack the bone of
my breast and peel back the sick and the hurting
and let this one stretch her wings, and maybe
she will be carried away on one wind or another
and I will find myself set down beside my mother,
her soul cool and composed before the horizon
of a million universes.
Heredity
I am half my mother, sipping sadness in the shadow of the moon, but I am not half my father, not
his fists nor his frown.
The other half I am something else, world-rich, filling myself up with all of the things I am not: a
handful of cigarettes, a mouthful of pills, a glass of cold water, a condom, a cat sitting on the
sidewalk corner.
Galveston Bay
What a waste that you came to this slum of a place where we dance and we chase and we drain
out the lake of the grapes and the gray haze of last summer’s grace, where we laugh and we rage
and paint shame on our face, where the girls all in lace with their gay little gaits place a handful
of snakes in a vase and take eight ripened dates off a plate. They wait with their hair all done up
in braids, but the dates taste like paste and the snail on the doorstep is late to the race so they’ve
wasted a day waiting ‘round for their fate. In the garden they’ve taken the down-the-road saint
and hung him by his hands from the spoke of the gate, pinned him in place with a nail made of
jade while they pray and burn sage and it rains in the glade. He goes up in a blaze and in the fray
of the flames they’ve mistaken an angel and misplaced their praise so they cry and they bray but
their wails are in vain -- come the morning what’s left is a gray bit of clay.
Mikayla Silkman is a writer and editor from southwest Connecticut. She predominantly writes speculative fiction and poetry, with the occasional foray into the creative essay. She is also an independent copyeditor. Her work has been featured in Western Connecticut State University's The Echo, Catholicism Coffee, The Hallowzine, and the 2023 CT State Literary Anthology. Mikayla is a devout Roman Catholic, an SVT survivor, and a proponent of literature and the arts. In her free time, she enjoys hiking, playing video games, and cooking. She is currently a student of Western Connecticut State University's MFA in Professional & Creative Writing program. She and her husband, Gordon, currently live in Bethel, Connecticut, and have a rescue dog named Oobi.