‘Feathers and Bones’ & ‘Erosion’

Artist- John L Gronbeck-Tedesco

Feathers and Bones

I lied to a priest 

at the age of eight.

My sins would be forgiven

if I was sorry.

There are only three things

bodies need to survive—

forgiveness isn’t one.

I was a bride for the first time

at the age of nine.

I walked down the aisle toward 

a wrinkled, balding man.

He presented my husband—

a thin, tasteless wafer I was  

told became His body. 

I took back my original sin

at the age of fourteen.

I stained every spec of white

with the blood dripping

from the gaping holes

where I ripped apart my wings

and scattered the ground with

feathers and bones.

Erosion 

Raindrops falling down a windowpane

You leave me

S-l-o-w-l-y.

Your laugh, a

chuckle

giggle

chortle

snicker

I can’t remember.

Were those earthen locks softer than the blanket I clutch?

A smile that lit up a room—an exaggeration?

I rip through the pages,

Entreating one photo after another

“Please remind me.”

Still those raindrops fall off the edge

to oblivion

Another piece of you 

fades 

away.

Sierra Tufts is a writer living in Pennsylvania who received her MFA from Arcadia University. Her flash fiction has been published in 805 Lit + Art. She has also published poetry in two anthologies—Hey There, Delilah! by Wingless Dreamer and New Voices – Spring 2024 by Moonstone Arts Center.

‘Bunhill Field’, ‘Dinosaur Footprints’, & ‘Only the Forest Remembers’

Artist- John L Gronbeck-Tedesco

Bunhill Field

Early spring in Islington, 

hyacinths poking through, 

daffodils in bloom, 

even the magnolia trees 

exploding. 

Walking three blocks 

to Bunhill Field 

through London sun 

and crowded sidewalks. 

Bunhill Field, 

eternal home of Daniel Defoe, 

John Bunyan. 

The grounds where Isaac Watts 

forever sings “Joy to the World.” 

And behind the hedgerow, 

William Blake watches his city 

rise around him. 

Romantic prophet, 

forging the reign of Urizen 

who watches and waits. 

Urizen watches and builds 

the walls of his 

chartered metropolis. 

Urizen builds walls 

and hammers mighty chains 

to keep his people in check. 

And there lies William Blake, 

visionary with crown of light 

and trees full of angels. 

South in Peckham Rye, 

those angelic trees 

glowed and pulsed, 

sending letters of love 

and rebellion to the dungeons 

of the Tower of London. 

Wordsworth called him a madman, 

and mad he was, but those visions, 

from the heart of Islington, 

awaken the grand city 

and guide us toward tomorrow’s 

fantastical sleep.

Dinosaur Footprints

Aqua-marine spray paint 

on weathered ply-wood: 

“DINOSAUR FOOTPRINTS, NEXT LEFT.” 

Not knowing what to expect, 

we signaled, pulled into the gravel lot, 

and stepped out to the blast furnace

of June in northern Arizona.

Under an awning, 

folding tables filled 

with turquoise rings, 

necklaces, bracelets, all for sale. 

Local mothers keeping 

food on the table 

and love in their hearts: 

“You guys want a tour?” 

a young woman asked. 

There was a crumpled five 

in my pocket, 

I handed it to her, and we set out 

across hardened Jurassic mud. 

“Here, dilophosaurus, 

they probably didn’t actually spit venom

like in the movie, 

and there, our state dinosaur, sonorasaurus. 

You can tell its giant gate 

by measuring one print to the next.” 

As we walked back in time, 

200 million years to when 

that shallow sea covered the Moenkopi flats, 

as we stepped back in time to witness 

the pinnacle of 19th Century

Navajo freedom, 

we sipped our bottled water 

and munched week-old trail mix

from out our shiny new REI backpack. 

“And here,” she said, 

spilling water at our feet 

to highlight the indentations, 

“you’re standing in the print of a T. Rex.” 

70 million years of wind, rain, erosion, 

and there we stood. 

We thanked her, wished her luck, 

and headed out. 

We had to make Kayenta 

for those 1:00 PM fry bread tacos 

and our lunch date at

JoD’s laundromat. 

Only the Forest Remembers

Only the forest remembers 

and us. 

The sturdy, low boughs 

held us in our youth 

as we climbed. 

The upper twigs swayed 

and bent in the wind. 

From the tops, 

through leaves and clouds, 

the sailboats shined 

on silver waters. 

Waters running from 

Chicago to Alpena, 

Detroit to Montreal. 

The waters follow that highway 

of sorrow and forgetfulness, 

Mackinac to Mobile, 

Timbuktu to Shangri-La. 

Only the forest remembers 

the broken shale. 

Knee deep shards 

lined the gulch 

carved by ancient ice and snow. 

When the glaciers receded 

and the Pleiades fell 

to sandy shoreline solitude, 

when sumac burned crimson, 

vermillion, jasper before 

November’s gale, 

before Friday nights at Curtis Field, 

water and wind worked their magic 

and the Devonian hexagons 

bleached in the drought 

of August.

Only the forest remembers 

and those warm midnight stars. 

We found Sagittarius 

in the eastern sky 

and The Dipper’s double glow. 

Ptolemy knew the archer 

was thirsty. 

Ptolemy knew when 

the hunt was lost. 

And with that J. C. Penny telescope, 

we knew the lunar mountains. 

Shadows cast ‘cross craters 

and ‘cross benighted minds 

of childhood’s fancy. 

With astral projection, 

we never looked back. 

Only the forest remembers 

those long days 

spent as mountain men, trappers, 

and Allied soldiers 

slinking across enemy lines 

to blow ammo dumps 

and liberate France. 

Each broken branch a Winchester 

or an M1 Garand. 

Each of us, Lee Marvin or John Wayne. 

“Say your prayers, 

you Nazi bastards!” 

we called wading through trout lilies 

and barberry thorns. 

“We have you in 

our sights!”

Only the forest remembers 

and us. 

Those long, lazy afternoons 

biking through the trees. 

Catching air off exposed roots, 

we soared like harriers. 

Rounding embankments 

with no hands. 

“Look ma!” we called to no avail. 

Parents weren’t watching. 

Our summers remained 

unsupervised, remained free. 

They’d call us for dinner;

we’d run home for tacos 

or hamburgs and hotdids 

before returning to the woods 

to live out grandiose lives 

until bedtime called 

us home again.

Andre F. Peltier (he/him) is a Pushcart and two time Best of the Net nominated poet and a Lecturer III at Eastern Michigan University where he teaches literature and writing. He lives in Ypsilanti, MI, with his wife and children. His poetry has recently appeared in various publications both online and in print. His poetry collections Poplandia and Ambassador Bridge are available from Alien Buddha. He has another collection forthcoming in 2024: Petoskey Stones from Finishing Line Press.

‘Shell Shock’, ‘Riot Police’, & ‘Just One More’

Photographer- Perseverance Fey

Shell Shock
I always thought that was a funny term
That should only apply to soldiers with beach-related trauma,
Or maybe to little Sally,
Who got so goddamn tired of selling seashells by the seashore
That she quit and got her MFA,
Only to be haunted in every poem
By those sharp pink edges.

I never thought shell shock would apply to you and me,
Sitting across from each other at the dinner table.
You dive over to tease me
(Like you always did)
And I bury my face in my hands
(I never did this)
And you look at me for a moment
As the smile falls off your face.

Three nights in a row,
I dreamt that I spoke with you.
Three times we made up in the dead of night
And three times I woke up just to find you
Absent from my side;
Your forgiveness rolled in and out like the tide,
So please understand
If I’m hesitant to receive it now.

I do believe that Sally can recover,
That one day she can give her demons a burial at sea
And go to sleep without her tongue
Tied in knots.
I believe that soldiers can reacclimate
To eating lobster rolls,
To seeing mayonnaise instead of mortars,
And I believe that you and I can sit together again.
Just not tonight.

Riot Police
These policemen maintain their composure better than anyone I’ve met in my entire life.
These men are meaty scarecrows,
Brows high and eyes straight forward,
Staring at...
What, exactly?
What’s behind us?
I wonder if it’s any scarier than what’s in front of us.
I tell one a dad joke
And challenge another to rock paper scissors
(He respectfully declines with charged silence)
While a girl twenty feet away screams in a man’s face
That he ought to be ashamed of himself.
Both men react exactly the same way:
Silence.
My friend the nude model once told me he did complicated math in his head
When he didn’t want to acknowledge the fact that people
Were staring at his genitals.
I wonder what kind of calculus these officers are doing.
Maybe it’s chemistry–
The face masks certainly look like it.
It seems unfair to scream at meaty scarecrows,
Because I bet ten years ago half of them would have been screaming alongside us.
When you’re an adult, you’ve got responsibilities,
And some days it’s your turn to wear the clown suit.
When this cop gets home tonight,
I bet his wife will be up waiting for him.
She’ll have been worrying herself sick,
And they’ll sit down in the dining room
And he’ll put his head on the table.
He’ll tell her you call a cow without legs
Ground beef.

Just One More
Outside of Beta Gamma fraternity, you and I run into three Europeans
And they offer us a cigarette.
At this point I am drunk enough that the night
Moves in stop-motion,
But when it’s lit
Even I can tell that I feel nothing.
Maybe we lit it from the wrong end,
Like my dad in grad school;
Maybe we’re not doing it right.
Nope, we smell like shit–
It’s working.
Every time I do this it comes up empty,
Tasting for all the world like putrid orange peels,
But every time I see that speckled little stick
I gotta try it.
I’m like an underage kid at the bar,
A virgin on Tinder–
I haven’t won yet but this time I’m feeling lucky.
The cigarette’s halfway gone and I tap the ash onto my tights
Which miraculously do not burst into flame,
But I can tell from your scowl that you’re not enjoying this either.
We could stamp it out now under our heels
But I like the way it’s held,
Falling away from me then pulled back
Like a girl who I don’t really love
But can’t let go.
I’ve heard that cigarettes are great after sex.
I’ll let you know once I find out
What either one is meant to feel like.
The cigarette’s gone out, by the way;
I’m holding an ashen stub of tobacco
And the Europeans have wandered off to Chi Delt
And still, neither one of us feels any sort of
Head buzz.
Shit.
I bet you the next one would have done it.

Scott Sorensen is currently pursuing an English degree at Dartmouth College. He hopes to become an English teacher and be famous on the way.

‘An Eye for the Box Scores’, ‘The Biggest Tip’ & ‘Finer than frog hair split three ways’

Photographer - Tobi Brun

An Eye for the Box Scores

Two sausage biscuits ago,
the coffee on the dash
was hot. He’s read

the paper twice since six,
waiting in the fog for planes
that never arrived.

I’m his first for the day,
a shorter run than he’d like
only to get back in line again.

He’s dropping me home
wishing he was home.
He’d park the cab, close

the blinds and sleep.
He rolls back out
my driveway and stares down

at the box scores.
He’s seeing and not
seeing them again.

The Biggest Tip

The tourists
wouldn’t let it go,

wanted to talk
about it all the way

to the Opryland Hotel:
the glitz, the dirt

and the glamor.
“Who is the most

famous person,
the biggest celebrity,

the most memorable rider
you’ve had in your cab?”

Exiting the Briley Parkway,
He finally told them,

“When you leave a $1000
tip today on top

of the $47 fare,
I can promise you,

you’ll be the ones
I’ll never forget.

“Finer than frog hair split three ways”

I know that I’m color-starved.

I can tell in the cool of late night
when I drift out onto the porch. The stars

shine down but I want a wild red sky
or dark green or baby blue.
There are better things in life

but not in mine. I lay awake
in the early hours before milking

and dream of your blond hair
on someone else’s pillow.

John Peter Beck recently retired from the labor education program at Michigan State University where he still co-directs a program that focuses on labor history and the culture of the workplace, Our Daily Work/Our Daily Lives. His poetry has been published in a number of journals including The Seattle Review, Another Chicago Magazine, The Louisville Review and Passages North among others.

‘The Delicate Peas’ & ‘Time Flies... Slowly’

Photographer - Tobi Brun

The Delicate Peas

The Delicate Peas—

charging.

Puttin’ up their dukes

sweatin’ scents and

knocked up against the rounding walls

of scratched iron ropes

holding all the burden.

An enclosed load:

trailing

down

down

to a scraped iron bottom

baring the eye of a silver abyss

staring up a disapproving lid

hijacked from another vessel

sizzling shots of oil

punching and staining the o p e n air.

Can’t get no type of handle on it!:

The punches, stains, and sizzles—

hollerin’ and fingerin’ insults,

now sticking to surfaces.

Underneath, candy corn flames

spittin’ shades of cornflower blue

instigate a heat of confessions.

Peas testify in clusters ‘stead of one by one

causin’ all that troubled water

to pop-up speech bubbles

exhaling streams of cuss words

theys regret soon as theys say ‘em

so—

they make ‘em repent &

‘vaporate all that smoke

in to the thin air.

Time Flies... Slowly

Blank pages eat space

migrate reams of time southward

nest waste without haste.

Annette Young is indebted to the glints of writing that have now entered her life as a tool to hone aspects of joy. Teaching also silhouettes such aspects. Her hope is to continue these embryonic writing encounters so that they become daily fixtures of exploration that are a fulfilling meal that sample various glimpses of daily observations in organic life transactions. She has had the fortune to have a piece of poetry entitled, Swooped, published in From Whispers To Roars Volume 5 Issue I, as well as Spectacle Of Spectacles, published in The Write Launch. She was also graced with the occasion to have her short fiction work, Utensils, published in an anthology entitled, Below The Poverty Line.