THE EXHIBITION
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THE EXHIBITION •
Faits Divers
Hibah Shabkhez is a writer of the half-yo literary tradition, an erratic language-learning enthusiast, and a happily eccentric blogger from Lahore, Pakistan. Her work has previously appeared in Pleiades, Miracle Monocle, Glassworks, Windsor Review, Moria, CommuterLit, and a number of other literary magazines. Studying life, languages, and literature from a comparative perspective across linguistic and cultural boundaries holds a particular fascination for her.
Faits Divers
I scan each page for names
I do not wish to find;
Names of people,
Names of places,
Names of things.
I scroll each feed for names
I do not wish to find;
Asking of both,
Of all sides:
You are not coming for us next, are you?
Are you?
Hibah Shabkhez is a writer of the half-yo literary tradition, an erratic language-learning enthusiast, and a happily eccentric blogger from Lahore, Pakistan. Her work has previously appeared in Pleiades, Miracle Monocle, Glassworks, Windsor Review, Moria, CommuterLit, and a number of other literary magazines. Studying life, languages, and literature from a comparative perspective across linguistic and cultural boundaries holds a particular fascination for her.
Linktree: https://linktr.ee/HibahShabkhez
Twitter X: @hibahshabkhez
Insta: @shabkhez_hibah
Self Portrait in Narrative
Self Portrait in Narrative by Lucy James
Self Portrait in Narrative
Lucy J.
There is a small white scar
Almost invisible, hugging the right side of my knee
i used to play basketball with my dad
i slipped, slicing my knee open
i think i slipped, smooth and stinging
i think i slipped, i have always been light on my feet
i think i slipped, foul play is part of the game i never learned
i think i slipped
i think
i am six years old, face first on the edge of the court
learning how to speak again, while you
are spitting red into my tired lungs
i slipped, over half healed ridges from the time before.
as you walk inside, leaving me to study the blood and dirt
i begin to whisper to the insects unfurling around me
watching them creep and crumble and curl
i begin to speak because there was no one there to hear me
I am 24 now, at the edge of my seat
Listening through clenched fists and grinding teeth
I am watching you tend to the child that is both of our second chances at paternal love
And I am realizing now, your laughter
Is a metaphor that has lived on the tip of my tongue for years now
i am weeping silently,
creeping and crumbling and curling
contorting my body in ways i did not know possible
i am asking you to stop
i am waiting for my turn to speak
I am begging for you to try with me once more
And what I ask of you to realize
This is only my recollection of the memory.
I am humanizing you,
In this recreation of myself
I know, I too could slip into that delicate darkness
A slice of you that is braided into my blood
So instead, I tend to it as you would a cut
Too tender to touch.