‘Jessica’, ‘Timide’, ‘Where 28th Ave & 38th St. Meet’, &‘Orange Socks’
Jessica
The cigarette hung effortlessly from your lip while tuning your antique guitar.
I wasn’t sure if I felt desire, envy, or admiration.
Noticing my shivers you pulled your sweater over your head with hair lighter than gold
falling back onto your shoulders and handed it to me.
I had never seen a girl so cool at this point in the 16 years of my life, let alone to be
sharing a smoke with her.
I don’t remember what we did that night - what we listened to, watched, or talked about.
I only remember when leaving you handed me a CD to listen to. It was Burt Bacharach’s
Greatest Hits.
Trying to return your sweater you gestured for me to keep it and said it looked better on
me anyway. So I did.
I listened to that CD until the scratches made it skip and I wore that sweater until the
threads became tattered.
And I loved it.
Timide
“Life’s too short to be shy,” you said, sounding as French as ever while we slurped our
soups in Chinatown.
Sure I knew what that meant but I don’t think I understood it until years later.
Somewhere between shit-talking acquaintances and browsing the cheap trinkets on
Bowery St.
I decided to let you in.
And even though I couldn’t give you everything you needed - we mutually taught each
other how to care for someone else again.
That it was possible.
I may have been too shy to say this back then, or trying too hard to look tough in my
denim jacket.
But I have never been so cold or so scared as I was on the back of your motorcycle as we
flew across the Williamsburg Bridge home.
Where 28th Ave & 38th St. Meet
Sometimes when imagining the future,
you’re still there.
Well a version of you, this is.
Your face is different -you- are different.
But somehow I still know it’s you.
Mostly because of the way it feels.
Similar to the predictable comforts of singing a favorite song or the reruns of a familiar
sitcom.
This new version of you can pick up where the last one left off.
Damages I’ve acquired over the years since don’t go unnoticed.
*You dress my wounds with grace.
The kind of grace that only someone who’s been through the same hell can provide.
*You listen to my fears with sorrow.
The kind of sorrow that accompanies guilt knowing that you helped create this.
*You hold me with tenderness.
The kind of tenderness that only an old lover and friend can offer as it’s adorned with
care.
But maybe it’s not you.
Maybe I just want to feel that again.
The wholeness that came with being one-half of two.
Orange Socks
I felt her standing over me before she even spoke.
‘What are you looking at?’
Turning down my music I explained that - the reservoir is swarming with spiders whose
webs sparkle in the chain-linked fence at sunset.
‘Cool.’ She smiled.
Watching you walk away I wanted to tell you that I thought it was cool you weren’t
listening to music. And that I imagine you are comfortable sitting in the silence of
yourself.
Instead, I said, “I like your socks.”
Katarina Behrmann, a Los Angeles-based creative spirit and author, has a rich history of literary achievements. Her creative journey boasts the production of her stage play off-Broadway, with a segment featured in the Progenitor Art and Literary Journal. Her latest triumphs include the publication of a creative non-fiction piece in GreenPrints, a highlighted blog on Humans of The World, and a personal essay showcased on Drunk Monkeys. Head in clouds and heart on her sleeve, Katarina continues to create.